31 October – 29 November
Daily, 10am – 5pm
City Art Centre
Free, book in advance
We are excited to announce full details of this year’s Platform exhibition, our annual showcase supporting artists in the early stages of their careers to make and present new work. We are delighted to once again partner with City Art Centre to present the 2020 edition from 31 October to 29 November.
Selected from an open call by artist Ruth Ewan, and curator, Sophia Hao (Cooper Gallery, Duncan of Jordanstone College of Art & Design), four artists based in Scotland –Rabindranath A Bhose, Mark Bleakley, Rhona Jack and Susannah Stark – have been supported to create new work which will be presented in this group show.
Edinburgh Art Festival, along with its sibling August Festivals, made the difficult decision earlier this year to cancel their 2020 edition due to the ongoing pandemic. Despite the many challenges faced across the cultural sector, we are very pleased to continue to support artists during this difficult time by presenting the delayed 2020 edition of our Platform series, which usually forms a key element of each festival programme, showcasing new work for four artists in the early stages of their careers.
Each of the artists has been working over recent months to develop new work for their presentation in Platform: 2020. The exhibition brings together four new bodies of work that include sound installations, textile and sculptural works, print-making, film, performance, and text-based works. Across each of the artists’ individual practice, a number of themes and approaches are particularly resonant for our present times including: the aesthetics of the collective, the intense vitality of ‘being together’ in space; strategies for survival; and the importance of the sense of touch.
Rabindranath A Bhose draws on queer modes of living and relating as expansive strategies for survival, and will create a new large-scale vinyl drawing for the exhibition space. Composed of signs, and words, the drawing references autobiographical and mythological elements. The drawing will be closely related to a text written during the recent lockdown which will be presented both in print form and in audio form read by the artist’s lover.
Artist and choreographer Mark Bleakley is developing a new work using movement, print and video to develop a playful exploration of the poetics of weight and gravity and their relation to collectivity; asking how these are used by, with or against live bodies, and emphasising the vitality of being in a space together, and how this is manifest. The process of this new work draws upon film documentation from a movement workshop devised with collaborators, and a range of found footage relating to ideas of grounding, groundlessness, and inertia.
Rhona Jack is developing a series of large-scale textile based sculptural works, taking the form of stitched hangings, woven rugs and elements of soft sculpture. Reconstructed and crafted from a patchwork of recycled scrap fabrics and items of clothing, the work draws attention to our relationship to textile production, consumption and waste; presenting consumerism in opposition to the personal narratives that we put upon clothes made in their millions.
Susannah Stark’s work consists of an audio soundscape featuring field recordings and song fragments sung by the artist that draw on histories of habitation in Scotland, interwoven with several 'moving collages' made from touristic postcards and property adverts which emanate coloured light, suggesting different ways of 'seeing' and highlighting emotional frequencies within the images. In addition are a series of floor-based sculptures assembled from various natural and synthetic found objects sourced with help from the artist's mum, that are suggestive of meditating bodies.
Tickets are free, but must be booked in advance on the City Art Centre website.
Platform: 2020 is made possible thanks to the PLACE Programme, a partnership between Edinburgh Festivals, Scottish Government, City of Edinburgh Council and Creative Scotland, with additional support from the Cruden Foundation.